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From New York Times Movie
Four Black women, profane and brassy, bring stand-up to Memphis’s Orpheum Theatre. Miss Laura Hayes opens the show and serves as MC. She tells family stories about grandkids, her mom, and her sisters. Adele Givens urges her audience to celebrate their flaws; she comments on this crazy world, her 92-year-old grandmother, and the need to take care when naming a baby. Sommore, recently released from jail, talks about kids, men, marriage, and why moms give their eight-year-old daughters a hula-hoop. Last, Mo’Nique celebrates big women, contrasts Blacks and Whites, and gives advice about sex. The film also cuts away to footage of the Queens on the town having fun. Read more…
“In the horror comedy Zombieland focuses on two men who have found a way to survive a world overrun by zombies. Columbus is a big wuss — but when you’re afraid of being eaten by zombies, fear can keep you alive. Tallahassee is an AK-toting, zombie-slaying’ bad ass whose single determination is to get the last Twinkie on earth. As they join forces with Wichita and Little Rock, who have also found unique ways to survive the zombie mayhem, they will have to determine which is worse: relying on each other or succumbing to the zombies. Written by Columbia Pictures”
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“On the 20-year anniversary of his groundbreaking masterpiece Roger & Me, Michael Moore’s Capitalism: A Love Story comes home to the issue he’s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan. From Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan, Michael Moore will once again take film goers into uncharted territory. With both humor and outrage, Michael Moore’s Capitalism: A Love Story explores a taboo question: What is the price that America pays for its love of capitalism? Years ago, that love seemed so innocent. Today, however, the American dream is looking more like a nightmare as families pay the price with their jobs, their homes and their savings. Moore takes us into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal…and 14,000 jobs being lost every day. Capitalism: A Love Story is both a culmination of Moore’s previous works and a look into what a more hopeful future could look like. It is Michael Moore’s ultimate quest to answer the question he’s posed throughout his illustrious filmmaking career: Who are we and why do we behave the way that we do? Written by Overture Films”
“Following up on ‘Bowling for Columbine’, film-maker Michael Moore provides deep and though-provoking insights on the American security system, the level of paranoia, fear, uncertainty, false values and patriotism, which all combined together to set a stage for George W. Bush to launch a war on Iraq instead of focusing on getting the real culprit(s) behind the terrorist attacks of September 11, 2001. This documentary also focuses on how some Saudis were safely and secretly flown out of America while planes were ostensibly grounded after the attacks. Archived film footage, candid interviews with politicians, and an overall waste of public funds for a war that was initiated on false pretension to wit: a weapon of mass distraction – to take the focus away from the real enemy and get Americans glued to their TV sets to watch innocent Iraqis and Afghans getting killed. And a war that would eventually alienate the U.S.A. and it’s citizens from almost every country on Earth. Written by rAjOo (gunwanti@hotmail.com)”
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